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Newland, Paul 
ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
Film and the repossession of rural space.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 190-198.
ISBN 978-0-7190-9157-5
Abstract
Patrick Keiller’s film Robinson in Ruins was shot on location in and around the Cherwell Valley in rural Oxfordshire. Keiller offers insights into his filmmaking practice – in particular his technical choices when it came to filming the landscape. He also explains how far the film was prompted by what appeared to him to be a discrepancy between, on one hand, the cultural and critical attention devoted to experience of mobility and displacement and, on the other, a tacit but seemingly widespread tendency to hold on to formulations of dwelling that derive from a more settled, agricultural past.
| Item Type: | Book Section |
|---|---|
| Additional Information: | The full-text cannot be supplied for this item. Please check availability with your local library or Interlibrary Requests Service. |
| Uncontrolled Discrete Keywords: | rural landscapes, British film, British cinema, British countryside, British cinema history, landscape, cinema, film, British, Rural, Representation, Place, Space, folk, Patrick Keiller, Robinson in Ruins |
| Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR |
| Divisions: | Central Services > Directorate |
| Related URLs: | |
| Depositing User: | Paul Newland |
| Date Deposited: | 06 Mar 2020 11:51 |
| Last Modified: | 17 Jun 2020 17:35 |
| URI: | https://worc-9.eprints-hosting.org/id/eprint/9240 |
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